Disintegrating the Musical / Nejlevnější knihy
Disintegrating the Musical

Kód: 04937656

Disintegrating the Musical

Autor Arthur Knight

From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, fro ... celý popis

844


Skladem u dodavatele v malém množství
Odesíláme za 14-18 dnů

Potřebujete více kusů?Máte-li zájem o více kusů, prověřte, prosím, nejprve dostupnost titulu na naši zákaznické podpoře.


Přidat mezi přání

Mohlo by se vám také líbit

Dárkový poukaz: Radost zaručena

Objednat dárkový poukazVíce informací

Více informací o knize Disintegrating the Musical

Nákupem získáte 84 bodů

Anotace knihy

From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black cast musicals to jazz shorts, from sorrow songs to show tunes to be-bop and beyond. Arthur Knight focuses on American film's classic sound era, when Hollywood studios made eight all-black cast musicals-a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars-Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge-emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites-even as the films themselves were segregated and played before even more strictly segregated audiences. Disintegrating the Musical covers territory both familiar-Show Boat, Stormy Weather, Porgy and Bess-and obscure-musical films by pioneer black director Oscar Micheaux, Lena Horne's first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin' the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled. A lively examination of an important, overlooked element of American cinematic history, Disintegrating the Musical will appeal to those interested in cinema studies and African American studies.

Parametry knihy

Zařazení knihy Knihy v angličtině Society & social sciences Society & culture: general Social groups

844

Oblíbené z jiného soudku



Osobní odběr Praha, Brno a 12903 dalších

Copyright ©2008-24 nejlevnejsi-knihy.cz Všechna práva vyhrazenaSoukromíCookies


Můj účet: Přihlásit se
Všechny knihy světa na jednom místě. Navíc za skvělé ceny.

Nákupní košík ( prázdný )

Vyzvednutí v Zásilkovně
zdarma nad 1 499 Kč.

Nacházíte se: